Ebook Moneybags Must Be So Lucky: On the Literary Structure of Capital, by Robert Paul Wolff
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Moneybags Must Be So Lucky: On the Literary Structure of Capital, by Robert Paul Wolff
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Karl Marx’s great work, Capital, has intrigued and puzzled readers for more than a century by its mystifyingly intricate arguments and dramatic literary embellishments. In this book, Robert Paul Wolff dispels much of the mystery surrounding Capital by providing a literary-philosophical analysis of the text and of Marx’s intentions. Writing in a lively, satirical, sometimes comical style that echoes Marx’s own use of language, Wolff shows that Marx was at the very same time and in the very same texts a brilliant theoretical economist and a powerfully imaginative writer and that he deliberately forged an ironic voice in Capital in order to better communicate his theoretical arguments.
- Sales Rank: #1515891 in eBooks
- Published on: 2013-04-04
- Released on: 2013-04-04
- Format: Kindle eBook
From the Back Cover
Karl Marx's great work, Capital, has intrigued and puzzled readers for more than a century by its mystifyingly intricate arguments and dramatic literary embellishments. In this book, Robert Paul Wolff dispels much of the mystery surrounding Capital by providing a literary-philosophical analysis of the text and of Marx's intentions.
About the Author
Robert Paul Wolff is professor of philosophy at the University of Massachusetts. His books include The Poverty of Liberalism, The Autonomy of Reason, In Defense of Anarchism, and Understanding Marx.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Robert Wolff makes Marx's forbidding work fun
By A Customer
Robert Wolff confronts Marx's most demanding writing, the development of the value form in the first chapter of Capital, that even the most serious commentators shy away from. But Wolff's real revelation is that Marx's writing can be fun. Wolff turns the dialectic into a Jewish joke 'Mrs Feinshmeck's blintzes', to help the Germanic medicine down.
For all that, Wolff's treatment is up there with the most serious exegetes of Marxism. Most pointedly Wolff explains that Marx's style is not contradictory in itself, but an attempt to capture the essence of a contradictory world
3 of 3 people found the following review helpful.
Irony and style in Marx's Capital
By M. A. Krul
"Moneybags Must Be So Lucky" is the arresting title of a series of lectures held by University of Massachusetts at Amherst philosopher Robert Paul Wolff. They form the content of the Romanell-Phi Beta Kappa lectures held in 1984-1985 at that institution, and deal with the question of irony and style in Marx's "Capital". Unlike the famous work by S.S. Prawer on literary references in Marx's work, Wolff is not primarily concerned with literature or allusions in the book, but rather with the purely stylistic tropes applied, in particular those of the first chapters of Volume 1. The lectures first take us through a digression on the philosophical notions of essence and appearance, from Plato to Hegel, and the notion of Socratic irony, where (in a somewhat controversial reading) he interprets Socrates as dealing with irony at a level which implicates the speaker in the subject of irony. Another trope introduced is the notion of inversion, where some abstraction of real things becomes reified to such a degree that the concrete appears to be the manifestation of the abstract, instead of the other way round. Wolff then shows how these concepts are combined in Marx's dealing with the nature of value in "Capital", in particular the opposition between the appearance of exchange, money, price and so forth, and their underlying realities in production and value. The author here makes an interesting contrast with the similar inversion manoeuvre found in Plato's famous allegory of the cave: there, the appearance is dark and irrational, and the reality is bright and rational. For Marx, however, capitalism appears to be the realm of "liberty, equality, property and Bentham", but the reality is the dark abode of production, where none may gain admission except on business.
A number of quotations from the text may serve to explain its conclusions on Marx's use of language in "Capital", which I think are well-founded and insightful. Wolff notes: "to talk about this world (...) Marx's discourse must permit him to represent the quantitative relationships that actually obtain in capitalist production and exchange.(...) Furthermore, [it] must permit critics like Marx to articulate the structure of mystification that conceals the exploitative and self-destructive character of capitalism. (...) In addition, (...) the language of political economy must serve to implicate the speaker in the very patterns of mystification that are being exposed. (...) And finally, this language cannot be entirely self-contained in the scope of its theoretical applicability. It must offer resources for an eventual transcendence of the mystifications of the capitalist market". This is well said, and Wolff has, himself using various jokes and forms of stylistic wit in the process, in this way made the most inaccessible part of Capital - the endless digressions on linens and coats and the nature of value in Ch. 1, 2, and 6 - easier to understand and more pleasant reading.
2 of 2 people found the following review helpful.
One of the best books I've read all year
By Mitchell Jones
Wolff's book is worth the price just for the unpacking of the difference between being a lapsed-Catholic atheist and being a never-been-a-believer atheist. Beyond that, Wolff demonstrates that Marx's seemingly obscure, convoluted writing - especially in the first chapter of Capital - serves a deeper purpose. Marx uses satire to uncover the absurdity of "bourgeois economists" and the contradictory nature of their thought. A very readable work that will make anyone's reading of Marx not only more enjoyable, but more valuable, too.
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