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iHealth is an integrated print-digital learning system designed to meet the needs of today’s students and instructors. The Connect course includes a SmartBook adaptive reading and study experience which guides students to master, recall, and apply key concepts while providing automatically-graded assessments. The 3rd edition provides the most up-to-date information regarding the Dietary Guidelines for Americans and the Affordable Care Act. Also provided are updated assignable articles from magazines and journals to supplement the print component, which are now easier than ever for instructors to assign and grade.

Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect� is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following:

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• Sales Rank: #1217385 in Books
• Published on: 2016-07-20
• Original language: English
• Dimensions: 8.80" h x .80" w x 6.00" l, .0 pounds
• Binding: Paperback
• 464 pages

About the Author
Phillip B. Sparling is a Professor of Applied Physiology and Health Behavior in the College of Sciences at Georgia Institute of Technology (Georgia Tech). He received his undergraduate degree from Duke University and masters and doctorate from the University of Georgia. In addition to being a teacher and researcher at Georgia Tech for three decades, he has been a Fulbright Scholar at the University of Cape Town Medical School in South Africa, a Senior Scientist at the Centers for Disease Control and Prevention (CDC) in Atlanta, and a Visiting Research Professor in the School of Population Health at the University of Queensland in Australia. He has published some 70 peer-reviewed articles in scientific and medical journals. Dr. Sparling is a Fellow of the AAHPERD Research Consortium, American College of Sports Medicine, National Academy of Kinesiology, and the Society of Behavioral Medicine. His current work focuses on real-world projects that enable individuals and communities to change lifestyle behaviors to prevent and control chronic diseases.

Kerry J. Redican is a Professor of Health Education and Health Promotion in the College of Liberal Arts and Human Sciences at Virginia Tech. His education includes a bachelors degree from California State University at Long Beach, M.S. in health education from the UCLA School of Public Health, Ph.D. from the University of Illinois at Champaign-Urbana, and MPH in health administration from the University of North Carolina at Chapel Hill. As a faculty member at Virginia Tech for over two decades, he has been actively involved in development, implementation, and evaluation of health education programs in schools and communities. He is a co-author of four textbooks and has over 60 publications in health journals. Dr. Redican is a Fellow of the American School Health Association and has served on the Board of Directors of the American Association for Health Education and as President of the Virginia Association for Health, Physical Education, Recreation, and Dance.

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A Bit Dated
By J. Weir
A bit dated as far as the information, but it was a requirement for my son's course so we had to rent it. Just don't take the information too seriously and you'll be fine. If you're after current info, this isn't the book for you.

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New and clean
By jayson
New and clean

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• Sales Rank: #2198988 in Books
• Published on: 2003
• Number of items: 1
• Binding: Paperback
• 264 pages

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• Sales Rank: #4524661 in Books
• Published on: 2011-04-19
• Number of items: 2
• Binding: Paperback

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A great handbook for therapists and clients alike
By Amy Capella
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• Published on: 1600
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The current conflicts in the Middle East are present-day manifestations of geopolitical dynamics that have been active in the historical process from its beginning. In 108 maps and drawings, The Eastern Question looks at these dynamics through a geopolitical lens with a scope of three millennia, from the days of the Persians and Alexander the Great to today's headlines. The drawings are historical political cartoons; the maps ground the reader in the geography of time and place. In the 19th century, the term the 'Eastern Question' referred to the problem posed by the impending dissolution of the Ottoman Empire, the fall of which in the second decade of the 20th engendered the modern 'muddle' of the Middle East in the 21st. In a larger sense the East has always been a question for the West, for the simple reason that's where the trouble comes from: Huns, Goths, Arabs, Mongols, Turks, Russians, Soviets--to now a less well-defined, 'non-linear,' and 'asymmetric' trouble. As the West declines relatively and the East rises, seemingly new questions are asked that are in fact old ones.

• Sales Rank: #505410 in Books
• Published on: 2015-10-27
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.00" w x 8.40" l, .0 pounds
• Binding: Paperback
• 264 pages

Review
This highly original book reveals how ancient threads of history, geography, and politics interlace to form the fabric of today's troubles -- a conflict so old, in fact, that it predates both America and Islam by many centuries....Get the book -- both entertaining and educational, brimming with broad vision; it's the best geopolitical caper of the year.Frank Jacobsbigthink.com/strange-maps/watercolours-of-the-war-between-east-and-west

Artist and printer Danforth cleverly constructs a timeline of over 100 whimsical maps and drawings....He follows Herodotus's ancient formulation of conflict between East (Persia) and West (Greece)...Danforth moves to his timeline, slicing it into four sections, with the Ottoman Empire playing a starring role as leader of the East through 1922. Its dissolution released a spate of factions whose antagonism to the West exists in various forms to the present... his drawings convey historical conflicts more vividly than many textbooks. Illus. Publisher's Weekly

The handsomest volume to cross�Seven Days'�desks in a while, his�[Danforth's]�large, learned, lively and amply illustrated text investigates the cultural and political divide that has long separated East and West. The book's scope takes in everything from the rise and fall of the Ottoman Empire to the incidents of September 11, 2001, slicing a broad, informed path through eternal currents in world history.sevendaysvt.com

the illustrations are consistently illuminating...What begins as a history of 1,400 years of conflict between Islam and the West broadens into a charming and ambitious history of the world.
shelf-awareness.com/readers-issue.html?issue=455#m7956

This highly original book reveals how ancient threads of history, geography, and politics interlace to form the fabric of today's troubles -- a conflict so old, in fact, that it predates both America and Islam by many centuries....Get the book both entertaining and educational, brimming with broad vision; it's the best geopolitical caper of the year. --Frank Jacobsbigthink.com/strange-maps/watercolours-of-the-war-between-east-and-west

The handsomest volume to cross�Seven Days'�desks in a while, his�[Danforth's]�large, learned, lively and amply illustrated text investigates the cultural and political divide that has long separated East and West. The book's scope takes in everything from the rise and fall of the Ottoman Empire to the incidents of September 11, 2001, slicing a broad, informed path through eternal currents in world history.sevendaysvt.com --sevendaysvt.com

Artist and printer Danforth cleverly constructs a timeline of over 100 whimsical maps and drawings....He follows Herodotus's ancient formulation of conflict between East (Persia) and West (Greece)...Danforth moves to his timeline, slicing it into four sections, with the Ottoman Empire playing a starring role as leader of the East through 1922. Its dissolution released a spate of factions whose antagonism to the West exists in various forms to the present... his drawings convey historical conflicts more vividly than many textbooks. Illus. --Publishers Weekly

From the Inside Flap
AN entertaining, elegant, and whimsical glimpse at a serious subject: the history of �the world, showing how the East has�always posed a question to the West�
�
In the 19th century, the term the 'Eastern Question' referred to the problem posed by the inevitable dissolution of the Ottoman Empire, the fall of which in the 20th engendered the modern 'muddle' of the Middle East in the 21st.�

In a larger sense the East has always been a Question for the West, for the simple reason that's where the trouble comes from: the Huns, Goths, Arabs, Mongols, Turks, Russians, Soviets, to now another, less well-defined, 'non-linear,' and 'asymmetric' trouble.�

As the West declines relatively and the East rises, seemingly new questions are asked that are in fact old ones. The current conflicts in the Middle East are present-day manifestations of geopolitical dynamics that have been active in the historical process from its beginning.

In 108 watercolor maps and drawings, The Eastern Question looks at these dynamics� through a geopolitical lens with the scope of three millennia, from the days of the Persians and Alexander the Great to the headlines of today. The drawings are historical political
cartoons; the maps ground the reader in the geography of time and place. Painting with a broad brush, the author sketches the story in short texts that explain the drawings while the drawings illustrate the text.�

What began as a struggle between East and West later emerged as a struggle between Islam and Christendom, and has now re-emerged as a new war -- which is not new at all but is the continuation of the Long War that was fought for centuries and then forgotten by the West with its rise to world dominance.�

The Eastern Question portrays this story as a drama with stock characters improvising their lines in a plot the action of which has been determined by the dynamics of Desert & Sown, East & West, and Order & Fragmentation. The first half of the book is thematic,� exploring the three dynamics. The second half focuses on one of the six characters, the Ottoman Empire -- of which the modern countries of the Middle East are mere fragments -- its rise, decline, and fall, which opened the Eastern Question; and the concurrent rise of the West to world dominance, now being challenged by the revolt of Islam. With vast perspective and extensive view, The Eastern Question seamlessly connects today's events to dynamics that have been active from the beginning of history.

About the Author
Ted Danforth is a letterpress printer and author with a degree in history from Hamilton College. He was the principal of Bembo Typographic Company in New York City until 2005; and he served on the Board of the American Academy of Poets for ten years. He was the publisher and printer of Sea Cliff Press in New York City. He has delivered lectures on history and typography. The Eastern Question grew out of those series of lectures. He divides his time between Stonington, CT and Townshend, VT.

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5 of 5 people found the following review helpful.
and that is probably a good thing: although the book is based on an ...
By Thomas Couser
This book is not "about" 9/11, but it was prompted by the terrorist attack on the United States on 9/11. Danforth's response was to survey its deep backstory: centuries, indeed millennia, of conquest and conflict in the Middle East. He is not a professional historian, and that is probably a good thing: although the book is based on an enormous amount of research, Danforth's approach is fresh and open-minded, and his accomplishment is considerable. He manages to keep the big picture in focus even while attending to myriad trees. The writing is clear, sometimes epigrammatic.The maps and drawings are not mere supplemental illustrations; they capsulize history cleverly and memorably.This book manages to condense and distill a large amount of material that spans a great deal of time and space. I can't think of a better book for those seeking an understanding of the present-day conflict that engulfs not just the Middle East but much of the globe.

3 of 3 people found the following review helpful.
Great Book
By DeeDee
Fascinating, informative and entertaining account of this complicated area of the world providing the reader with a sound grounding from which to follow current issues in the mid east and Europe. Insightful commentary accompanies the cartoon like hand drawn maps making it delightful read.

2 of 2 people found the following review helpful.
Highly recommended
By Ken LeBrun
A great overview of the major movements of world civilizations. I'm only half way through the book so far, but I have gained a much clearer understanding of the geopolitical dynamics of history. It gives you the big picture so you can understand what's going on. The illustrations are excellent. I would recommend it for anyone who wants to understand the background of today's world conflicts.

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[Q552.Ebook] Download PDF Critical Play: Radical Game Design (MIT Press), by Mary Flanagan

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For many players, games are entertainment, diversion, relaxation, fantasy. But what if certain games were something more than this, providing not only outlets for entertainment but a means for creative expression, instruments for conceptual thinking, or tools for social change? In Critical Play, artist and game designer Mary Flanagan examines alternative games -- games that challenge the accepted norms embedded within the gaming industry -- and argues that games designed by artists and activists are reshaping everyday game culture.

Flanagan provides a lively historical context for critical play through twentieth-century art movements, connecting subversive game design to subversive art: her examples of "playing house" include Dadaist puppet shows and The Sims. She looks at artists' alternative computer-based games and explores games for change, considering the way activist concerns -- including worldwide poverty and AIDS -- can be incorporated into game design.

Arguing that this kind of conscious practice -- which now constitutes the avant-garde of the computer game medium -- can inspire new working methods for designers, Flanagan offers a model for designing that will encourage the subversion of popular gaming tropes through new styles of game making, and proposes a theory of alternate game design that focuses on the reworking of contemporary popular game practices.

• Sales Rank: #119335 in Books
• Brand: Brand: The MIT Press
• Published on: 2013-02-08
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .75" w x 7.00" l, 1.20 pounds
• Binding: Paperback
• 368 pages

Features

• Used Book in Good Condition

Review

In Critical Play, Flanagan uncovers a secret history of games buried deep inside folk culture, experimental media, and the world of art. Critical Play should be required reading for anyone who cares about the cultural importance and future potential of games.

(Eric Zimmerman, game designer and co-author of Rules of Play)

…Flanagan has equipped students and practitioners of game design with a generous multi-functional tool, to instruct and inspire.

(Ragnhild Tronstad Game Studies)

About the Author
Mary Flanagan is Sherman Fairchild Distinguished Professor in Digital Humanities, Director of the Tiltfactor game research laboratory, and Professor in the Department of Film and Media Studies at Dartmouth College. She is the author of Critical Play: Radical Game Design (MIT Press).

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15 of 15 people found the following review helpful.
Great examination of play and games
By Ron Carter
"Critical Play" is one of those rare books that uncovers a world you never knew existed yet has always lain right before your eyes. I'm a pretty avid gamer, but despite my years spent with mainstream commercial games, it's only recently that I've discovered the serious games movement and designers trying to use games to express big ideas. What I thought was a recent trend, however, Flanagan shows is actually a longstanding, vital tradition. Artists and activists have been using games to communicate social commentary and subvert accepted norms for hundreds of years in an amazing number of ways. "Critical Play" does this incredible job of weaving together games, game theory, art, and activism to show how play can be a vital tool for cultural development.

The book is broken into eight chapters starting with a look at domestic play ranging from subversive dollhouses to players modding the Sims. Other chapters examine board games (apparently artists love chess, I had no idea) language games, and what I was most interested in, computer games. Because I'm somewhat familiar with serious games now, I recognized a number of the examples from the video games chapter. What I didn't know was that there are a number of contemporary artists working with games or making game-inspired pieces. The book concludes with a brief chapter that I wish were longer exploring methods of designing for critical play. While I won't be making a game any time soon, the final chapter helped me understand the game design process better, and I think has allowed me to better read the games I play now.

I picked up this book because I wanted to deepen my understanding of serious games, but I think it can be appreciated by people from all different backgrounds. Whether you're into art history, social change, media theory, or a range of other topics, "Critical Play" offers a unique lens through which you can view historical events and trends and imagine future possibilities. It provides a plethora of ideas to play with, and the understanding that play can be quite serious. I can't recommend it enough.

2 of 2 people found the following review helpful.
Critical Play: Radical Game Design
By Karl H. Stingeder
At first glance, games and video games are seen merely as entertainment and/or distraction. Mary Flanagan takes a cultural-historical as well as artistically-tinted look behind the scenes of an otherwise largely one-sided exploration of games and the increasingly popular virtual, electronic forms.

The author approaches the idea of games in a remarkably unconventional manner; in her eyes, games - from the board games, dolls to electronic virtual games of the 20th and 21st centuries - are an expression of cultural norms as well as a reflection of societal unrest. Flanagan even goes so far as to suggest that games can also be interpreted as narrative tools in the sense of social "reflectors". Consequently, games also serve as a means to process social problems, based on the restructuring of the games culture through new games and game styles.

First of all, the book tries to capture the socio-cultural significance of games by means of a well-founded contextualisation exemplified by a few historical milestones of different types and forms of games. There is also an attempt to record the cultural ambivalence of games. For the most part, Flanagan here follows anthropologist Brian Sutton-Smith, who has interpreted games as a narrative form with a catalyst function. According to this, players are able to channel real-world risks, and observe and evaluate these at a safe distance. Games may therefore highlight real problems in their "downplayed" form and can almost be held up as a mirror to the willing "players" showing their own cultural involvement and participation.

Flanagan provides plausible evidence for her theories, from the Dadaist-influenced puppet show of the 20th century to the popular PC series The Sims. Games can be viewed not only as an expression of altered recreational behaviour and technical progress, but also as the transformed self-image of the political function of games. Based on such political and socio-cultural contextualisation, Flanagan ventures to apply her instruments, which results in the concretisation of her game design model named Critical Play. It is interesting to note here that the author only deals with the question of where games start to become critical relatively late i.e. in her last chapter.

In this context, Flanagan is impressed by the ideas of Marshall McLuhan, whom she believes was far ahead of his time in rating the ability of art and games to place human associations into different relationships, including opposing positions. Essentially, Critical Play is thus a normative two-way approach to development. A model, which, based on cultural influences that manifested themselves in the games, pretends that innovative approaches of a "new, critical" game design would be able to challenge established norms and thus create a wider spectrum of the games experience. Peering at the social significance of virtual worlds (Second Life, World of Warcraft, etc.), Flanagan remarks (not without justification) that it is precisely for this reason that video games today are given high significance, as starting points and positions of social interaction and the cultural realm can be seen within them.

Conclusion: Critical Play: Radical Game Design takes some highly interesting games theory approaches and develops them - based on a historically well-founded contextualisation substantiated by plenty of solid and graphic examples - into an innovative methodology of game design. Although peppered with scientific citation (which can, however, be looked up in the appendix for greater reader-friendliness), the paper is clearly structured; the writing style proves simple and comprehensible for the most part. As the work is currently only available in its original version from MIT Press.

2 of 2 people found the following review helpful.
Fascinating history of play and excellent guidelines for game design practice
By JB
There are two things the book does exceptionally well. First, it provides an extraordinarily thorough and very entertaining history of how play has been used throughout history to critique, subvert, explore alternatives to dominant paradigms, etc. My favorite example of this is Flanagan's discussion of girls' play with dolls in the Victorian era. I had read before that doll play functions to socialize girls into the domestic roles they are expected to occupy as adults. What was entirely new to me is that girls would often use these dolls to play in ways that challenged conventions. On this topic and on others, Flanagan's research is excellent and her insights are revelatory.

Flanagan also provides practical guidelines for designing play experiences that encourage critique and subversion. Without going into to detail, I will say that I found this part of the book particularly useful re: the practice of designing "serious" or issues-focused games.

Highly recommended for game designers who are interested in working beyond the entertainment-focused mainstream, and also highly recommended for anyone with interest in the history of play.

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[N803.Ebook] Free Ebook Scènes de langage PS et MS

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• Original language: French
• Dimensions: 8.86" h x .39" w x 11.61" l,
• Binding: Paperback

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